Friday, 15 January 2010

BRIAN STRAND POET




Brian's Anthology is found @ Poetry Soup https://www.poetrysoup.com/member_area/my_poems.aspx


Brian's art ,poetry,christian,& memoir blogs are @ https://www.blogger.com/profile/02166493604739619406

POETICS
POETRY IS AN ORAL ART AT ITS BEST WHEN RECITED it then becomes a two-way unique one-off.experience .
to the detail- 
Traditional line capitalisation is ok In RHYME ..YES.. but NOT otherwise as it creates a natural pause (ie it stilts) & thus disrupts the flow as it also does in wrap-around lines which are also a no-no !
& are not visually conducive to read digitally or otherwise! 
"what have you got against these five forms and their like, acrostic, kyrielle terzanelle villanelle &pantoum etc? "
they can be good for a learning exercise,a bit like scales are important when learning the pianobut are too contrived & mechanical IMHO for poetry form
& importantly these days which is why they, like all traditional poetics line capitalisation & punctuation etc are susceptible to undetectable AI

but I like shape,emagi & ekphrasis verse! they reveal my weakness for art in poetry! 
 I do not care for prose poetry! as for my taste they & 'real' poetry do not mix 

particular forms that appeal would be Rhyme,alliteration,clerihew,footle&hiku*(both in the singular especially) will always ring my bell.
 & of course poetry in the OPEN VERSE style which 
 uses spaces&breaks without grammatical symbols relies upon 'the one breath limitation' this intuitive cadence pemits the 'reader' (reciter) to respond in an interpretative - interplay unique to the ' happening

ART PHILOSOPHY 


MY DEFINITION- I use in making my art ,similar to  my poetics

I prefer  bold  expressive applied spontaneity of visceral feelings unpredictable & evolving organically.A physical engagement of energy & emotions in & of the moment processed in a sense of chaotic immediacy
whilst apprecicating the skill in figuarative art and my spontaneous 'one-off' reaction thereto.

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